Gremill wrote:Shad the shopkeeper would’ve rented it to me
Yeah, watched that a few months back - it’s still a decent film with some great stuff in it.Dark Soldier wrote:Also, watching Blade again. That opening is still incredible.
tin_robot wrote:I finally got round justto watching Synechdoche, New York last night. I'm a Kaufman fan, but had put it off as I was worried it might be, I don't know really, a bit much. Anyway, I do a sort of film club thing with some friends (because we're too lazy to read books) and this was the pick.
I could write a huge rambling essay, but I'll spare you for now. The quick version - in some ways my fears were right - I found it utterly overwhelming. It jabbed at all of my buttons simultaneously, and I found myself going to bed feeling like someone had just delivered a personal rebuke to every single thing I despise about myself, and a few I hadn't noticed yet. (Despite the film arguably being, at least in part, a warning against precisely such solipsistic self indulgence.)
Having largely got over myself this morning, I've found myself thinking about it a lot, and it is, I think, pretty damn extraordinary. A lot of the stuff I'd thought of as wilfully strange or surreal has sort of coalesced into ideas that make sense to me, irrespective of the original intention, or anyone else's take. (The burning house, the green stools, the shrinking paintings versus the expanding drama, Ellen etc etc.)
The ideas in it are ones Kaufman has mined both before and since (with some fairly explicit similarities to Anomalisa), but for all its tangential weirdness, I think this is also the Kaufman film that most clearly expresses a lot of them.
So yeah, I'd be lying if I said I enjoyed it, but it's a phenomenal piece, and I suspect it's going to be rattling around in my head for quite some time. I'm both glad I watched it, and kind of wished I hadn't.
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