tin_robot wrote:I think "return to form" is definitely over stating it (though I guess it depends on what you count as "form" - lots of DC fans love National Express, whilst I think it's one of the low points, so what do I know?) However I do think that it is, at least in parts, Neil back to experimenting and being interested again. (He seemed almost bored on the last couple.) It also has that common phenomenon with double albums that I reckon there are enough tracks to make a really good "single" album out of it, but that my ideal track listing would likely differ from someone else's. I'm also a sucker for a concept album, and it comes close enough to being that to get a bonus point from me. (Not only are there recurrent themes, but it becomes apparent after a few listens that many of the tracks reference each other. Though I'm not sure I'm going to forgive him for bringing across Billy Bird, only to murder him.) Having said all that, yes, Philip and Steve's is most definitely the highlight - it's brilliant, both homage and pastiche, hilarious and beautiful. It also had me simultaneously writing a sitcom in my head, and sent me scurrying off to research the real life Philip Glass and Steve Reich removal company - something I had no idea had ever existed. (Though my wife predictably responded with an "oh yeah, I knew that, there was a BBC radio play about it a few years ago...") So, yes, it's not a perfect album by any means (oddly, I'm not wildly fond of the two singles), but I thought it bodes well for the future, and left me disappointed I won't be able to see him live this year. It's also the only one of his albums with a reasonable number of tracks I could seriously imagine dancing to.Tempy wrote:The new Divine Comedy album is being hailed as a return to form be quite a few, but I don’t think it’s that ace so far. There is one absolutely brilliant track though, Philip and Steve’s Furniture Removal Company, where Hannon comes up with a sitcom where Philip Glass and Steve Reich run a furniture removal company in New York, and he turns the theme tune into a reich/glass composition. Stupid nerdy laughs from me. The live album that they did a few years back, Loose Canon is amazing though, even has Bad Ambassador on it, belter!
Tempy wrote:I've been listening to Loose Canon a lot, it's really good, would love to see him live so might look into it. I think I basically agree with on all points but one, which is Norman and Norma, which I think is basically perfect. It's warm, witty, romantic, a little bit sad. I think it's in a similar vein as Lady of a Certain Age, not quite as good because Lady of a Certain Age is basically unassailable.
This, of course, will not help with your “block”. My advice to you is to change your basic relationship to songwriting. You are not the ‘Great Creator’ of your songs, you are simply their servant, and the songs will come to you when you have adequately prepared yourself to receive them. They are not inside you, unable to get out; rather, they are outside of you, unable to get in. Songs, in my experience, are attracted to an open, playful and motivated mind. Throw my song away – it isn’t that good anyway – sit down, prepare yourself and write your own damn song. You are a songwriter. You have the entire world to save and very little time to do it. The song will find its way to you. If you don’t write it, someone else will. Is that what you want? If not, get to it.
Much love, Nick
The Daddy wrote:Just watched Anima on Netflix, pretty good if you like that sort of thing. I do. Definitely worth watching with decent sound system or headphones, or cinema of poss.
Moot_Geeza wrote:Look at the view count. Hadn't heard of her until my wife played this one last night, didn't take long to realise I really like it.
Gremill wrote:I've just 'discovered' Fontaines D.C. - absolutely brilliant they are.
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