The Greatest Hit 2.0 - Old Man Music
  • Ahaha, we are aligned. I'll swap out Give It all.
  • This is a suitable topic for me, as Rise Against came up last night. Apparently they are touring, not listened to an album since The Black Market (though there have only been 2 since then) and not heavily since Endgame. No real reason, still like them. Anyway, here are some songs showing their two sides


  • Presented with no comment, other than, "what. a. fucking. tune."
    [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • Chalk me up for Marling too. I really should go back.

  • Ironic song title, for the topic in hand...
    [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • And for some reason, the page won't allow me to add Teardrop.

    I loved everything Massive Attack did up to 2003, then simply stopped listening. I've no idea why.

    Add Portishead to that, too.
    [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • regmcfly
    Show networks
    Twitter
    regmcfly
    Xbox
    regmcfly
    PSN
    regmcfly
    Steam
    martinhollis
    Wii
    something

    Send message
    My ain't heard is different to this one where I listen to Blink, Janes and Teenage F on the regular . Gonna have to dig deep
  • davyK
    Show networks
    Xbox
    davyK13
    Steam
    dbkelly

    Send message
    Whatever happened to Propellerheads? Was that intended to be a one off?  Loved that album. One of the few I rebought on vinyl.   Got the 20th anniversary CD as well.

    Holding the wrong end of the stick since 2009.


  • Brainiac were mid-90's great white hopes, or at least occasionally got good write up's in Melody Maker now and again. They'd turn up on Peel or other radio shows I listened to on school nights and were usually quite good, or at least entertainingly mental/odd - a much needed break from 1996-era Britpop drudgery, when the big hitters were all on breaks between albums & it just degenerated into a boring mush. The second string bands suddenly placing undeservedly high in the charts based purely on the previous fanfare for Oasis, Blur, Pulp et al and the industry's determination to milk the moment for all it was worth. Ordinary lads in Ben Sherman's cranking out some pretty dull and worthy revivalism (OCS, Cast, the Bluetones etc). The brief Kula Shaker moment etc ... you remember it. Pretty dreary. Even as a clueless teen I felt like I should be listening to things that sounded at least somewhat lively, or different, rather than museum pieces or music that sounded like recently unearthed Eric Clapton offcuts.

    It was pre-internet (for me) and so as far as I was concerned they just vanished without trace. Another band briefly hyped up who subsequently crashed and burned, as happened fairly regularly with 90's music journalism (Terris, 'Romo', The New Wave of New Wave, a million other long forgotten would be heroes). It was only later, harnessing the power of the web, I realised their lead-singer had died in an accident - something which understandably curved their upwards trajectory. They'd have fitted in well with the early-00's rediscovery of post-punk and angular guitar pop that kicked off a few years later.
  • technically i listened to these about a week ago, but off the back of my own 'who did i use to listen to that i've not even thought about for a while' thinking and this band popped into my head. I think i bought one album when they were at the top of the charts, listened to that a bunch then never thought about them again.

    "Like i said, context is missing."
    http://ssgg.uk
  • [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • @LarryDavid, fully agree on the Britpop thing.  I loved being a teenager when all of that exploded. There were a few amazing bands, and the rest were signed up by shit labels desperate to be part of the goldrush.  I can't tell you how much I detest OCS.  Fucking awful dad-bollocks.

    Several years ago on Facebook I remember posting an image of Leftism, saying how everyone remembers 1995 as the year of Britpop, but that my main memories were driving around listening to Leftfield, Portishead, The Prodigy, and Underworld.  They are the bands I really, truly loved from that period in time.
    [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • "Left", by Hope of The States.  I'm not linking you to the radio edit video - it has to be the full-length album version or nothing.

    What a song.  What a sky-scraping epic.  I'm really enjoying this week's topic.
    [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • I used to love 13th Floor Elevators back in my uni and immediately following years, but did a sideways onto Roky's solo stuff and v.rarely listen to the ol' Elevators these days, even though if anyone were to ask me who the best psychedelic band are, it'd be an easy Elevators answer. So many tracks to pick so I've gone for one from each album.











    As for Roky, I don't listen to him enough these days, still rate him as up there with the very best rock voices, man can scream and yelp with the best of 'em. All his Evil One stuff / stuff with The Explosives is great:



    RIP a real one
  • @LarryDavid, fully agree on the Britpop thing.  I loved being a teenager when all of that exploded. There were a few amazing bands, and the rest were signed up by shit labels desperate to be part of the goldrush.  I can't tell you how much I detest OCS.  Fucking awful dad-bollocks. Several years ago on Facebook I remember posting an image of Leftism, saying how everyone remembers 1995 as the year of Britpop, but that my main memories were driving around listening to Leftfield, Portishead, The Prodigy, and Underworld.  They are the bands I really, truly loved from that period in time.

    Yeah, it was OCS specifically that made me question around then whether Britpop was really a good thing. Someone at school gave me a tape of their album of the time, and it was one tedious blues-rock borefest after another, broken up by the odd midtempo mewling ballad, all desecrated with the type of lyrics that barely achieve basic meaning. I began thinking I should probably expand my musical horizons. Or at least never listen to another Ocean Colour Scene record again. 

    (Possibly unfair to write off an entire era/genre as there's some Britpop records I'm still quite fond of, albeit I rarely listen to all that often)
  • regmcfly
    Show networks
    Twitter
    regmcfly
    Xbox
    regmcfly
    PSN
    regmcfly
    Steam
    martinhollis
    Wii
    something

    Send message
    Here's mine, not just because I wrote press releases for him and have a wee signed vinyl from him (gotta brag where we can)

    But Pete Yorn's first album circa 2001 was huge in the states, not sure how it equated here. This thread Kickstarted it into my brain.

    Fun fact, the gig for PY I was promoting had an opening act called Elbow. Guy Garvey had a really nice chat with me at the merch stall for like an hour because I was well into madchester stuff at the time.

  • regmcfly
    Show networks
    Twitter
    regmcfly
    Xbox
    regmcfly
    PSN
    regmcfly
    Steam
    martinhollis
    Wii
    something

    Send message
    I rocked an asleep in the back T shirt Garvey gave me that night for 2 years before I had a significant weight loss lol
  • Always goes wrong when I try to post a video, but I put One Dove’s glorious Morning Dove White on this morning. Beautiful songwriting, gorgeous Weatherall production and dreamy vocals from Dot Allison. One of the best from 1993.
  • Plugged the old external hard drive into a near-dead laptop to jog my memory by looking at some old WAV file playlists.  

    A few things I haven't heard for at least 10 years:









    *Cheating a bit on the Port 'O Brien track because I found it again/heard it about a month ago after a long winded whatsapp exchange with group of friends trying to remember it based on my frankly terrible description (maybe they were called Ohio something?  Or were they from Portland?  I think it had a banjo in and there might've been a night sky on the cover).  Thankfully one of them had a much better memory than me.
  • Always had a soft spot for this lot.  Loved their first album in particular (lots of fiddle & mandolin suited them), but this one from the Dumb & Dumber soundtrack was great. 



    Also: WUUUUNCE, there was this kiIIID who, had the deepest voice in the entire fucking world.  
  • Mmmm
    iosGameCentre:T3hDaddy;
    XBL: MistaTeaTime
  • Used to love that Love album, still do ofc but also haven't listened to it in an age.
  • Gateway to the Elevators innit.
  • nick_md wrote:
    Used to love that Love album, still do ofc but also haven't listened to it in an age.

    I put it on fairly regularly. It's still a cracker.
  • nick_md wrote:
    Used to love that Love album, still do ofc but also haven't listened to it in an age.
    I put it on fairly regularly. It's still a cracker.

    The exact reason I couldn't include it this week, as I play it at least a few times a year, per year, since I discovered them in about 2001.

    When I did my top ten the other day I really should have included You Set The Scene in there.
    [quote="SpaceGazelle"]It doesn't matter who you vote for, the politicians always get in.[/quote]
  • 'No notes', as younger old men say.

  • Moseley Shoals, Marchin' Already, and One from the Modern are all great albums, but yeah I did just completely stop listening to OCS after them.

    First two Stereophonics albums got a huge amount of my listening time, but never even bothered buying the third album. Still listen to Word Gets Around fairly often though.

Howdy, Stranger!

It looks like you're new here. If you want to get involved, click one of these buttons!