Facewon wrote:https://www.edge.org/responses/what-scientific-idea-is-ready-for-retirement
Cool, scroll down, and there's pretty much all of it....
tigerswiftly wrote:Just picked up Red Sister by Mark Lawrence. I've only read Prince of Thorns but that was excellent for the most part.
acemuzzy wrote:I'm still on the Blade Itself, struggling to find much time to read. Past half way. Basically enjoying it. Some fun character combinations - Glokta and Bayaz just met...
Gremill wrote:tigerswiftly wrote:Just picked up Red Sister by Mark Lawrence. I've only read Prince of Thorns but that was excellent for the most part.
You need to remedy that and read the whole Thorns Triolgy, then the Prince of Fools trilogy (even better than Thorns).
Gremill wrote:acemuzzy wrote:I'm still on the Blade Itself, struggling to find much time to read. Past half way. Basically enjoying it. Some fun character combinations - Glokta and Bayaz just met...
Glokta is brilliant, such a well written character.
Is there somewhere I can get this to stick on my iPad? Sounds like good holiday reading.Tempy wrote:Sticking this in the Book Review thread because about three people read the manga thread.
I finished Pluto by Naoki Urasawa, and it's a genuine jaw-dropping, heartfelt masterpiece.
It's essentially the story "The World's Strongest Robot" from Tezuka's Astro Boy, where the seven most powerful robots in the world are targeted by an new, unknown assailant. Urasawa changes it though, in a kind of Alan Moore way (if Moore wasn't a cynical old wizard) and centres the plot not on Atom, but on Gesicht, a EUROPOL detective and one of the seven strongest robots. It works really well, because he's allowed to be a more complex character than perhaps Atom would be, though that's kind of dismissing how well the manga rounds out all of its characters.
Its only Eight Volumes long, which is relatively short, but each one is beautiful and full of heart, it had me buckling with tears more than a few times, and open mouthed at some of the imagery in others. It's very keenly aimed at the heartstrings, but I'd say it rarely veers into saccharine territory, instead grounding its emotions in more mature and realistic situations. There are a lot of musings on what robots can feel and what they can't, and there's also a lot of duality of characters and ideas going on. Although that's a very simple literary tool, it is still used to great effect. Rarely for a manga, it shows almost complete disinterest in its fights between robots, and 90% of the fighting is simply seen as a series of memory transmissions from the losing robot.
The only minor issue is it perhaps pushes on too long with its central mysteries, and the final volume is a bit breakneck paced in its resolution, but every arc ties up, and every resolution feels solid, convincing, and delicately handled. It's easy to bandy about the word masterpiece, but I had the hairs on the back of my neck prick up frequently, and could barely stop reading when I started. Urasawa's art has received some criticism for being too flat, but I find his relaxed, elegant and naturalistic style to be a perfect match for the story its telling, and it takes Tezuka's rounder and larger than life characters with their comical noses and form defining eyes and turns them into intricate renderings. It probably takes a bit of knowledge of Astro Boy to appreciate how devastatingly brilliant his illustrations of Doctor Tenma are, especially as he obfuscates his face for so long for the final pay-off, but fucking hell does it work. He's also incredibly evocative in his use of certain imagery, especially the "horns" that accompany each of the murders in the first half of the story. Also a bonus for people who aren't fans of anime or mange, it barely looks like what you'd consider "manga" given its restrained and mature style.
Honestly I'm still reeling. From an early story arc about a weapon of war who wants to learn piano, to the smart use of the Iraq War as a real world anchoring for its 39th Central Asian Conflict, to Gesicht's revelations about his past, to the ominous use of a Roosevelt Teddy Bear, and Atom finally getting the classic Astro Boy hair spikes, it's just full to the brim of page after page of gorgeous art, dense and twisted conspiracy, and genuine, unabashed heart. I strongly recommend you try and track it down in hard copy, or use one of the many, many illegal sites to read it, even if you think Manga isn't your bag. It's transcendent.
I liked this a lot.Lord_Griff wrote:Reading Mievilles new book, New Paris. Seems a bit derivative.
Yeah, I'll be getting that - listening to him talk on Chapo about it piqued my interest.Brooks wrote:Apparently his October thing on the Revolution is quite the tits though.
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