digi wrote:Just watched the first 2 episodes of ahsoka and it's all very predictable, still nothing much else to watch.
superflyninja wrote:And Im a bit confused, I don't remember Sabine being force sensitive in Rebels.
stellavista wrote:Doesn’t help that we are also watching in much higher resolution these days.
Time_on_my_hands wrote:See, first high-spec audio ends up with people needing to use subtitles unless they've got studio-level speakers.
Yossarian wrote:Time_on_my_hands wrote:See, first high-spec audio ends up with people needing to use subtitles unless they've got studio-level speakers.
I’ve never heard anyone blame harder-to-make-out dialogue on the rise of high spec audio before. Not even sure what high spec audio is, TBH.
yourfavouriteuncle wrote:It’s a specific movement isn’t it, like a stylistic choice from the people making the movie? It sounds perfectly acceptable in the mixing room but becomes tricky across the multitude of sound set ups kicking around.
So artistic choice x not that many perfectly tuned sounds kits x different levels of hearing = some people struggling with naturally delivered nattering.
Yossarian wrote:yourfavouriteuncle wrote:It’s a specific movement isn’t it, like a stylistic choice from the people making the movie? It sounds perfectly acceptable in the mixing room but becomes tricky across the multitude of sound set ups kicking around.
So artistic choice x not that many perfectly tuned sounds kits x different levels of hearing = some people struggling with naturally delivered nattering.
I’m not even sure that it’s about it sounding perfectly acceptable in the mixing room, one of the theories that I’ve heard for why it comes about is because the people mixing the sound know what the dialogue is, so when they push background noise they can still make out what’s being said because they are able to make out the words that they are expecting to hear.
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