Pretty sure that Jackson himself said that the theatrical releases should be viewed as the 'directors cut', and the others are 'extended' editions for fans that want more stuff...rather than treating the extended ones as the 'better' version.Jaco wrote:The theatrical releases were okay, but the Director's Cuts are where it's at. Genuinely brilliant cinema. I have issues with the Two Towers as it takes some serious liberties with the book's plot, but on the whole I think Jackson did brilliantly well. Many considered LoTR unfilmable, he proved it wasn't. Still not a patch on the book though, natch.Yossarian wrote:The whole LotR trilogy is godawful.
RamSteelwood wrote:Pretty sure that Jackson himself said that the theatrical releases should be viewed as the 'directors cut', and the others are 'extended' editions for fans that want more stuff...rather than treating the extended ones as the 'better' version.
RamSteelwood wrote:Plus they should have got James Earl Jones to do the voice of Treebeard.
poprock wrote:It’s genuinely due for release this year, after hanging around the festival circuit for ages looking for distribution.
Jesus.poprock wrote:This came up in a Google search for something completely different, but … there actually is going to be a Big Lebowski sequel. Sort of. A spin-off, anyway. Going Places.
John Turturro has been pushing for years to make a spin-off movie starring himself as The Jesus. And it’s actually happened. He’s the writer, director and star, and it also features Audrey Tatou and Susan Sarandon. It’s a remake of Going Places, a ’70s French comedy … but it’s been altered to make it a Big Lebowski spin-off. It’s genuinely due for release this year, after hanging around the festival circuit for ages looking for distribution.
RamSteelwood wrote:Pretty sure that Jackson himself said that the theatrical releases should be viewed as the 'directors cut', and the others are 'extended' editions for fans that want more stuff...rather than treating the extended ones as the 'better' version.Jaco wrote:The theatrical releases were okay, but the Director's Cuts are where it's at. Genuinely brilliant cinema. I have issues with the Two Towers as it takes some serious liberties with the book's plot, but on the whole I think Jackson did brilliantly well. Many considered LoTR unfilmable, he proved it wasn't. Still not a patch on the book though, natch.Yossarian wrote:The whole LotR trilogy is godawful.
nick_md wrote:I started watching that Fyre thing the other night, and intend to go back to it, but by fuck I had to turn it off after 20 mins; just didn't want to spend my evening in the company of utter cunts, only to then have to see the innocent folk fucked over.
GooberTheHat wrote:I've heard that the lady that ran the restaurant, who paid her staff out of her own savings has had a go fund me (or something similar) started for her since the documentary came out, and it has already achieved its target. Not sure on the truth of that but I hope it is.nick_md wrote:I started watching that Fyre thing the other night, and intend to go back to it, but by fuck I had to turn it off after 20 mins; just didn't want to spend my evening in the company of utter cunts, only to then have to see the innocent folk fucked over.
Jaco wrote:RamSteelwood wrote:Pretty sure that Jackson himself said that the theatrical releases should be viewed as the 'directors cut', and the others are 'extended' editions for fans that want more stuff...rather than treating the extended ones as the 'better' version.
Probably. They are better though. Significantly so for fans of the books.
RamSteelwood wrote:Plus they should have got James Earl Jones to do the voice of Treebeard.
Yes.
And The Old Forest should have been in it (not just the Old Man Willow nod in Two Towers). And Tom Bombadil should have been Brian Blessed. Obviously.
tigerswiftly wrote:Quite liked the films. They don't held up too well. Far better than the books though - Very poor by the standards of fantasy today. No doubting the influence but... Ew. Not for me.
Jaco wrote:Second Netflix flick of the night - The Great Wall. Matt Damon fights weird monsters on feudal China.
By any objective measure it’s terrible. It’s also brilliant because it knows it’s hokum.
7 green-blooded lizard thingamabobs out of 10.
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